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dc.contributor.authorRAMTEKE, PRINCE ARYAJEET MILIND-
dc.date.accessioned2025-01-01T04:52:12Z-
dc.date.available2025-01-01T04:52:12Z-
dc.date.issued2024-04-
dc.identifier.urihttp://dspace.dtu.ac.in:8080/jspui/handle/repository/21353-
dc.description.abstractIn this thesis contemporary minimalism and traditional Rajasthan shellac bangle making are combined to create new wooden lamps. The purpose is to create fusion between shellac bangle making introducing it into modern products that were made using a new approach. Research took place through an extensive study of Rajasthani shellac bangle making techniques and principles of contemporary minimalist design. A design language was formed based on experimentation that integrated thickness of grooves around lamp body & shellac inserts with their textures into clean line minimalism so that it provides for high contrast in colour. As such these wooden lamps are embodiments of a synthesis between tradition and modernity by being attractive lifestyle & accessory pieces; they can be eye-catching yet usable at once. Lastly, the thesis argues on possible ways of further growth and use in other categories which contribute towards safeguarding as well as encouraging traditional crafts in our time.en_US
dc.language.isoenen_US
dc.relation.ispartofseriesTD-7776;-
dc.subjectSHELLAC BANGLE ARTISTRYen_US
dc.subjectCRAFTING LAMPSen_US
dc.titleSHINE WITH SHELLAC: EXPLORING SHELLAC BANGLE ARTISTRY FOR CRAFTING LAMPSen_US
dc.typeThesisen_US
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