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        <rdf:li rdf:resource="http://dspace.dtu.ac.in:8080/jspui/handle/repository/23032" />
        <rdf:li rdf:resource="http://dspace.dtu.ac.in:8080/jspui/handle/repository/22718" />
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    <dc:date>2026-10-19T00:15:05Z</dc:date>
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  <item rdf:about="http://dspace.dtu.ac.in:8080/jspui/handle/repository/23150">
    <title>LUXURY VENUE CLASSIFICATION AND  DISCOVERY FOR EVENT PLANNERS</title>
    <link>http://dspace.dtu.ac.in:8080/jspui/handle/repository/23150</link>
    <description>Title: LUXURY VENUE CLASSIFICATION AND  DISCOVERY FOR EVENT PLANNERS
Authors: GUPTA, RAASHI; Das, Partha Prathim (SUPERVISOR)
Abstract: The Cvent Supplier Network (CSN) is a widely used business-to-business venue sourcing &#xD;
platform that connects event planners with hotels and venues across hundreds of countries. &#xD;
Within this marketplace, luxury venues form a high-value segment and consistently generate a &#xD;
disproportionate share of request-for-proposal (RFP) activity relative to their share of total &#xD;
listings. Despite this, CSN offers no systematic method for identifying, classifying or surfacing &#xD;
these venues in a way that reflects how planners evaluate luxury or how luxury hotels seek to &#xD;
position themselves. &#xD;
This thesis documents a six-month industry research project conducted within the Product &#xD;
Design team at Cvent, focused on understanding the gap between how planners experience &#xD;
luxury venue discovery on CSN and what the experience could offer them. The research was &#xD;
carried out in two phases. The first phase, Discovery, combined a platform audit of CSN's &#xD;
existing flows, qualitative interviews with six event planners and ten hoteliers, a competitive &#xD;
analysis of five alternative venue sourcing platforms and a quantitative analysis of platform &#xD;
data drawn from CSN's internal Client Loyalty Survey (CLS) records and RFP transaction logs. &#xD;
The second phase, Solution Exploration, synthesised research findings into a refined problem &#xD;
statement, a user persona and a customer journey map, and then proposed a set of design &#xD;
solutions that were subsequently presented to and validated by the product management and &#xD;
design leadership team at Cvent. &#xD;
The key finding of the research is that a significant number of venues that genuinely qualify as &#xD;
luxury by objective criteria are not tagged as luxury on the platform, yet these venues receive &#xD;
approximately six times more RFPs than venues that are tagged as luxury but do not meet the &#xD;
same criteria. This mismatch between the platform's classification system and actual planner &#xD;
behaviour points to a structural problem in how luxury is defined and surfaced on CSN. &#xD;
The proposed solution introduces a luxury classification framework based on a tiered scoring &#xD;
model that draws on external industry accreditations, platform behavioural data and venue &#xD;
profile attributes. Building on this framework, the solution centres on a luxury toggle within &#xD;
the search experience, allowing planners to shift directly into a pre-filtered view of verified &#xD;
luxury and ultra-luxury venues. Supporting changes to the venue profile page and the hotelier &#xD;
listing template are also proposed. &#xD;
Evaluative research in the form of usability testing on the prototyped solution is planned as the &#xD;
next phase of this project. Findings from that research will be incorporated into this document &#xD;
once complete. A dedicated section has been reserved for this purpose in Chapter 5.</description>
    <dc:date>2026-04-01T00:00:00Z</dc:date>
  </item>
  <item rdf:about="http://dspace.dtu.ac.in:8080/jspui/handle/repository/23032">
    <title>FROM CHAOS TO FOCUS: DESIGNING AN EXPERIENTIAL SYSTEM FOR ATTENTION MANAGEMENT</title>
    <link>http://dspace.dtu.ac.in:8080/jspui/handle/repository/23032</link>
    <description>Title: FROM CHAOS TO FOCUS: DESIGNING AN EXPERIENTIAL SYSTEM FOR ATTENTION MANAGEMENT
Authors: BHATT, NALIN; Kashyap, Deepika (SUPERVISOR)
Abstract: The increasing presence of smartphones and digital platforms has transformed the&#xD;
way people study and work, while also creating new challenges related to distraction,&#xD;
fragmented attention, and reduced focus.While focusing has always been a challenge&#xD;
for mankind, digital distraction has added to the difficultly Existing solutions such as&#xD;
productivity applications, timers, and website blockers often rely heavily on self&#xD;
control and remain confined to the digital environment, limiting their effectiveness&#xD;
for many users. This project explores the possibility of supporting focused work&#xD;
through a combination of physical and digital interventions that influence user&#xD;
behaviour rather than merely tracking it.&#xD;
The outcome of the project is Spine, a focus-support system designed to encourage&#xD;
sustained attention during study and work sessions. The system combines a chair&#xD;
mounted ergonomic support device with a companion mobile app. By introducing&#xD;
environmental cues, social accountability, session timers, and a deliberate separation&#xD;
between the user and their smartphone, the system aims to create a structured&#xD;
transition from distraction to focused engagement. The design draws upon principles&#xD;
of behavioral design, habit formation, ergonomics, and digital well being to develop&#xD;
a more immersive and intentional focus experience.&#xD;
The project was developed through secondary research, user surveys, concept&#xD;
exploration, prototyping, and iterative design evaluation. Findings indicated that&#xD;
distraction is influenced not only by digital notifications but also by environmental&#xD;
conditions, routines, and the absence of meaningful focus rituals. Rather than&#xD;
positioning focus as an issue of willpower alone, the project investigates how design&#xD;
can shape behaviors and environments that support concentration.&#xD;
The thesis demonstrates how an integrated product-service system can address&#xD;
contemporary challenges of attention management by combining physical interaction,&#xD;
behavioral triggers, and digital support into a cohesive user experience. The resulting&#xD;
concept offers a potential direction for designing focus-oriented experiences that&#xD;
respond to the realities of an increasingly distracted digital culture.</description>
    <dc:date>2026-04-01T00:00:00Z</dc:date>
  </item>
  <item rdf:about="http://dspace.dtu.ac.in:8080/jspui/handle/repository/22718">
    <title>SOCIAL DESIGN FRAMEWORK FOR THE DEVELOPMENT OF HANDLOOMS AND HANDICRAFTS</title>
    <link>http://dspace.dtu.ac.in:8080/jspui/handle/repository/22718</link>
    <description>Title: SOCIAL DESIGN FRAMEWORK FOR THE DEVELOPMENT OF HANDLOOMS AND HANDICRAFTS
Authors: MAHESHWARI, BINDU; Singari, Ranganath M. (SUPERVISOR); Gupta, Charu (CO-SUPERVISOR)
Abstract: At the Kamaladevi Memorial Lecture, Chatterjee (2014) called for reimagining the&#xD;
future of crafts beyond patronage, toward frameworks that integrate tradition and&#xD;
innovation. India’s handlooms and handicrafts, representing one of the world’s richest&#xD;
repositories of cultural heritage and livelihoods, face systemic challenges, including&#xD;
market decline, policy fragmentation, and weak integration of sustainability.&#xD;
Mamidipudi (2018) refers to design as a strategic tool that creates value through&#xD;
innovative products and services, leading to positive social and economic outcomes.&#xD;
The study proposes, develops, and validates the Social Design Framework (SDF) to&#xD;
regenerate the sector by embedding heritage preservation, co-creation, sustainability,&#xD;
packaging, branding, and Intellectual Property as its core pillars. The framework was&#xD;
conceptualised through a systematic literature review that aggregated existing&#xD;
knowledge on the design processes adopted by designers working in the sector, the&#xD;
methods adopted by artisans, the challenges they face, their adaptability to markets,&#xD;
and sustainable practices in Handlooms and Handicrafts. The existing literature and&#xD;
discussions with the core group, comprising master artisans, designers, and sector&#xD;
experts, identified a set of attributes for the proposed social design framework.&#xD;
Using a mixed-method approach, combining both qualitative and quantitative&#xD;
methods, the research included participatory discussions, direct interviews, in-field&#xD;
surveys, and questionnaires distributed to diverse stakeholder groups, including&#xD;
artisans, designers, educators, craft experts, and funding organizations for design&#xD;
development in the craft sector. Some Projects like Rural Experiment, [NID-IIM-&#xD;
Jawaja], Operation Mojari, [UNDP-NLDP-FDDI-RUDA], Indo-Africa [DIPP, GOI -&#xD;
NID], Crafting Futures, [ British Council – CEPT], Design Clinic Scheme, [Min. of&#xD;
MSME, GOI- NID] were discussed and studied, reflecting on the process adopted and&#xD;
their impact. Decision-making [PMI] techniques were used to refine the framework,&#xD;
with valuable inputs from Artisans, Designers, and other craft experts and researchers&#xD;
enhancing its relevance and usability. The findings highlight both statistical&#xD;
significance and practical relevance, offering a roadmap for integrating Design&#xD;
v&#xD;
thinking and Universality with cultural continuity, sustainable practices, and policy&#xD;
reform. This research contributes to theory by operationalizing social design in craft&#xD;
contexts and to practice by providing a scalable, impact-driven model for artisans,&#xD;
designers, policymakers, and educators.&#xD;
The conceptual Social Design Framework proposed in this research builds on six&#xD;
interlinked components identified from the literature review and the mixed-method&#xD;
research analysis, leading to sustainable development. An info-graphic representation&#xD;
highlighting the key attributes of the framework, as the 7 S of the Social Design,&#xD;
namely Sanskritik, Sundar, Sahaj, Sasta, Samajik, Samman, and Sustainable, is&#xD;
developed for easy remembrance, understanding, and adaptability by all stakeholders.&#xD;
Three case studies validated the framework: [1] Loin loom weaving of Manipur, [2]&#xD;
Wooden lacquerware work of Banaras, UP and [3] Revival of Mandana – the folk-&#xD;
tribal art of Rajasthan. These case studies tested the framework’s adaptability,&#xD;
efficacy, reliability, usefulness, and accuracy.&#xD;
This study redefines the role of design in nation-building, moving from a creative&#xD;
discipline to a strategic instrument for inclusive and sustainable development. It&#xD;
demonstrates that the future of design in India lies not in imitation but in intelligent&#xD;
reinvention, empowering communities through creativity, collaboration, and cultural&#xD;
consciousness.&#xD;
This research presents a comprehensive exploration into how design can serve as a&#xD;
transformative tool for social, cultural, and economic empowerment within India’s&#xD;
craft ecosystem.</description>
    <dc:date>2026-04-01T00:00:00Z</dc:date>
  </item>
  <item rdf:about="http://dspace.dtu.ac.in:8080/jspui/handle/repository/22717">
    <title>DEVELOPMENT OF A NEW PRODUCT DESIGN PROCESS TO IMPROVISE DESIGN FOR MANUFACTURING USING 3D/4D PRINTING TECHNOLOGY</title>
    <link>http://dspace.dtu.ac.in:8080/jspui/handle/repository/22717</link>
    <description>Title: DEVELOPMENT OF A NEW PRODUCT DESIGN PROCESS TO IMPROVISE DESIGN FOR MANUFACTURING USING 3D/4D PRINTING TECHNOLOGY
Authors: SOLANKI, AJAY; Singari, Ranganath M. (SUPERVISOR); Singholi, Ajay K.S. (CO-SUPERVISOR)
Abstract: Three Dimensional and Four-Dimensional (3D/4D) printing has widespread popularity because&#xD;
of its shape-changing capabilities in various applications. 3D Printing makes only stationary&#xD;
structured products whereas 3D/4D printing enables an object to change its configuration in response&#xD;
with different external stimuli. Researchers from many fields have examined an extensive array of&#xD;
3D/4D printing using proofs-of-concept. 3D/4D printing needs more advancement in the structural&#xD;
quality and efficiency to satisfy significant industrial applications which ensure cost effective&#xD;
manufacturing. An overview of integrated computation design strategies and its contribution in&#xD;
enhancing efficient use of smart materials in vast applications also presented and concluded with&#xD;
the findings like systematically incorporating sustainability variables into cost- effectiveness&#xD;
analyses with recent advancements in additive manufacturing tailored with human material&#xD;
interaction aids industries to make informed decisions that align with economic goals. Future views&#xD;
are critically explored and encouraging the collaboration with fabrication methods directs research&#xD;
efforts in a way incorporating advanced 3D/4D product design methods that satisfy industry and&#xD;
customer demands.&#xD;
Three Dimensional and Four-Dimensional (3D/4D) printing is an emerging structure creation&#xD;
process that allows for form morphing in response to external triggering chemicals. Many studies&#xD;
currently concentrate on small to medium-sized 3D/4D printing of structural components. As a&#xD;
result, in order to build industry-based large-scale structures, printing capabilities must be increased&#xD;
without sacrificing quality, cost, and speed. Advances in computer-aided design modeling have led&#xD;
to the development of 3D/4D products, which are essential for the large-scale manufacture of&#xD;
structures for various engineering purposes. Furthermore, cost-effective design and quality assurance&#xD;
control techniques, along with obstacles, are highlighted.&#xD;
Researchers previously encountered challenges in achieving high material efficiency and precise&#xD;
control in laser metal wire deposition, such as variability in friction, fluctuations in deposition rates,&#xD;
and inconsistent hardness across different scanning speeds and power settings. This research focuses&#xD;
on the single deposition technique within laser metal wire deposition, evaluating material usage and&#xD;
deposition efficiency by analysing factors like wire feed rate, laser power, and deposition speed.&#xD;
Findings indicate that coefficient of friction increases with higher scanning speeds, particularly at a&#xD;
sliding velocity of 0.5 m/sec. Furthermore, there were considerable changes in hardness and&#xD;
deposition rate, with the largest deposition rate occurring at the lowest scanning speed of 0.4 m/min.&#xD;
The research implications are significant for industries requiring complex, high-quality metal&#xD;
ABSTRACT&#xD;
components, positioning laser metal wire deposition as a key solution for modern manufacturing&#xD;
challenges.&#xD;
Supply chain management is poised for a transformative shift through the adoption of 3D and 4D&#xD;
printing technologies, which enable localized manufacturing, lead time reductions of up to 65%, and&#xD;
inventory cost savings of approximately 67%. These technologies support the growing demand for&#xD;
customized products by fostering a supply chain that is more responsive, adaptive, flexible, efficient,&#xD;
and cost-effective. 4D printing further enhances product lifecycle management by allowing objects&#xD;
to change shape or function over time, improving overall performance and longevity. The proposed&#xD;
impact analysis demonstrates streamlined adaptation of manufacturing processes, contributing to&#xD;
environmental sustainability through significant waste reduction. Integration of high-value design&#xD;
principles and additive manufacturing improved key dimensions like agility, visibility, collaboration,&#xD;
and flexibility by 15–20 points each, while stakeholder support remained strong, with 62.5%&#xD;
endorsing 3D/4D adoption, 67.8% favouring faster delivery, and over 57% supporting digital&#xD;
integration strategies.&#xD;
Conventional manufacturing methods have always been riddled with shortcomings such as&#xD;
wastage of material, design limitations, and added cost of manufacturing. Conventional methods fail&#xD;
to work efficiently with complex geometries, leading to wasteful use of material and longer&#xD;
production time. In contrast to this, the advent of 3D and 4D printing eliminated such shortcomings&#xD;
by improving design freedom, minimization of waste, and enhancing the manufacturing process.&#xD;
Fishbone diagram analysis is used to identifying the influences of mechanical performance,&#xD;
sustainability, and cost. Mechanical testing indicates hardness is up to 70.3, and young's modulus&#xD;
has a high negative correlation with layer height, which influences the structural integrity. Material&#xD;
selection is the determining factor in establishing the balance of durability, flexibility, and&#xD;
adaptability for optimum performance. Sustainability analysis reflects that additive manufacturing&#xD;
minimizes the wastage of material by nearly 30 percent against conventional means, paving the way&#xD;
for environmental-friendly production. Further, a cost analysis has reflected 25 percent lower&#xD;
production costs, so 3D and 4D printing has become more economical. The evidence points out that&#xD;
incorporating design for manufacturing and design for additive manufacturing boosts the efficiency,&#xD;
performance, and sustainability, establishing additive manufacturing as the revolutionary option&#xD;
beyond conventional means.</description>
    <dc:date>2026-04-01T00:00:00Z</dc:date>
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